By Liisa Steinby, Tintti Klapuri
‘Bakhtin and his Others’ goals to enhance an figuring out of Mikhail Bakhtin’s principles via a contextual process, fairly with a spotlight on Bakhtin reports from the Nineteen Nineties onward. the amount deals clean theoretical insights into Bakhtin’s principles on (inter)subjectivity and temporality – together with his strategies of chronotope and literary polyphony – through reconsidering his rules with regards to the resources he employs, and bearing in mind later learn on related themes. The case reports exhibit how Bakhtin's rules, while noticeable in mild of this procedure, could be constructively hired in modern literary research.
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Extra resources for Bakhtin and his Others : (Inter)subjectivity, Chronotope, Dialogism
In the polyphonic novel, co-subjectivity is assigned to other persons outside oneself: A plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices is in fact the chief characteristic of Dostoevsky’s novels. What unfolds in his works is not a multitude of characters and fates in a single objective world, illuminated by a single authorial consciousness; rather a plurality of consciousnesses, 12 Bakhtin and his Others with equal rights and each with its own world, combine but are not merged in the unity of the event.
Athenäums-Fragmente’. In Kritische Schriften und Fragmente [1798–1801], vol. 2. Edited by Ernst Behler and Hans Eichner, 105–56. Munich, Paderborn, Vienna, Zurich: Schöningh. 1988b . ‘Gespräch über die Poesie’. In Kritische Schriften und Fragmente [1798– 1801], vol. 2. Edited by Ernst Behler and Hans Eichner, 186–222. Munich, Paderborn, Vienna, Zurich: Schöningh. 1988c . ‘Kritische Fragmente’. In Kritische Schriften und Fragmente [1794– 1797], vol 1. Edited by Ernst Behler and Hans Eichner, 239–50.
McGee, 10–59. Austin: University of Texas Press. 2008a . ‘Forms of Time and of the Chronotope in the Novel: Towards a Historical Poetics’ (‘Formy vremeni i khronotopa v romane: Ocherki po istoricheskoi poetike’). In The Dialogic Imagination. Edited by Michael Holquist, translated by Caryl Emerson and Michael Holquist, 84–258. Austin: University of Texas Press. 2008b . ‘Epic and Novel: Toward a Methodology for the Study of the Novel’ (‘Epos i roman [O metodologii issledovaniia romana]’).