By Dana Amir
This booklet is an try and study psychic language and its assorted modes of expression, either inside psychic constitution and within the interpersonal realm. It starts off by way of taking a look at uncomplicated types of hold up within the improvement of psychic language: concrete language, that is in keeping with knocking down, and pseudo-language, that is rooted in concealment. the following bankruptcy specializes in the break up among voice and which means which marks psychotic syntax, and the latter’s double functionality in protecting the self opposed to an subconscious loss of life want. the topic of the 3rd bankruptcy is the chameleon language of perversion, and the connection among the perverse constitution and the primal scene. This bankruptcy is by means of one who indicates realizing autistic syntax as an inverse use of the psychic musical organ element. The 5th bankruptcy discusses the absent functionality of the internal witness in aggravating language. The 6th bankruptcy discusses psychosomatic language in the course of the contrast among metaphorical, metonymical and psychotic physically expressions. the ultimate bankruptcy is devoted to the singular ethics of interpretation. many of the chapters, such a lot of them already released in psychoanalytic journals, contain distinctive scientific illustrations in addition to shut readings of literary works via Rilke, Beckett, Sartre, Brodsky and Celan.
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Extra resources for Cleft Tongue: The Language of Psychic Structures
Grotstein (1990), when dealing with the psychotic experience of the “black hole”, claims that a general clinical conclusion one can infer from neurobiological research is that neurobiological deficits seem to impart specific defects or generalised deficits; manifestations of this latter category being an overall sense of hypersensitivity to experience or irritability, a sort of “mental allergy” to frustration. This imposes of course a greater challenge to motherhood—made even more complex when the mother herself suffers from the same hereditary disorder.
Benjamin describes his mother as a hard, persecutory and intrusive woman who had not only despised him since his early years for his strangeness and peculiarity but also never listened to his signs of distress. Even when he begged her to allow him to be discharged from compulsive military service on psychiatric grounds, feeling that he couldn’t stand to stay there for one more day, even when he threatened to commit suicide, she still pressured him to stay. Having lost her own brother in the war, she could have had him discharged by merely signing a form but refused to do so, claiming that he must deal with it without any concessions.
It is the exact antithesis of being the owner of a biography. The mere fact of our having a past makes our present meaningful. As the form of existence Malte describes contains no history of the self, it lacks any volume in time and space. Rilke’s Malte vacillates between the anxiety that he might disclose all his fears and the anxiety that he won’t be able to say anything since everything is “beyond utterance” (ibid. p. 61). Why is the “disclosure of a fear” less frightening to him than confronting the “beyond utterance”?