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By John Steventon

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Sample text

Handle vinyl carefully – remember, you don’t own it yet. Now is the time to handle your records like your mum always told you to, by the edges – no fingerprints please. ߜ Take your time to listen to the tune, but don’t take a pile of 20 tunes and monopolise the only listening post in the shop. ߜ If the turntable at the post is a cheap one, don’t think that breaking it or treating it badly doesn’t matter. ߜ Be careful with the needles; most stores would rather remove the listening post than replace a needle.

Nearly all of them are flat-pack so you need to assemble them yourself – make sure you pack some patience with your screwdriver! I’ve found that the king of flat-pack, Ikea, do a great unit (in the ‘Billy’ range) that your decks can fit on/in – the only problem is that the shelves would never take the weight of 2,000 tunes. ) I was lucky enough that a unit that my Dad had built in the 1970s, and which everything sits on perfectly, was lying around in my house. The records don’t fit in the unit, but I prefer not to keep the records in the same unit anyway.

However, many northern soul, ska, and reggae DJs still find that the 7-inch is king for releases of their music. ߜ LPs: You’d think that as a vinyl DJ, buying an LP, or an album on vinyl, of an artist’s music would make good financial sense because all their tracks are included on it. If you’re only interested in playing the original recording and aren’t going to scratch, then this option isn’t that bad. Wedding and party DJs who still like to use vinyl can use LPs because the tune on the record is more than likely the one most people are familiar with, and they aren’t likely to do any scratching!

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